Showing posts with label MD-4. Show all posts
Showing posts with label MD-4. Show all posts

Sunday, September 28, 2025

The New Smart (ass) Adventures of the Essbee Patrol


How am I going to take pictures in a dark night club?

My favorite camera, a Nikon F3, it’s my jam. I’m using it more and more. It’s a film camera and it is replacing my telephone as my camera. I like my iPhone but plain and simple, I don’t want to use it to take my favorite pictures.

Nope.

…and I’m not going to.

Music and I started out pretty young, my Mom blasting rock on her record player. She had a bunch of friends over, they were painting their inner tubes for a float down the Salt River. They didn’t call themselves anything man, but they were hippies. It was the late sixties and the sounds of those songs were my first exposure to music, Deep Purple was the band (I think.)

Ten years later, I’m holding on to the coping, my right foot presses down on my skateboard, I’m in an empty swimming pool with a couple of other skaters. I’m waiting for a break to push off and start my run, a big boom box blasting out DEVO on the deck and I’m ready to snake.

Next decade I’m getting my underground music from a friend in Texas. I’m introduced to the staccato of Cabaret Voltaire, rhythmic pumping grooves broken by switch up beats from a cassette player through my upgraded speakers in my truck, I’m driving to the highest mountain and flying off it only to do it again and again and again and again

Now I’m trippin, no, not like that. On the couch, iPad early morning and all is quiet. The animals want to be feed and I really can’t sleep. I don’t want to plug into current events or mindless doom scroll social media. Holy hell waits for me there. I want to create, exactly what I want here at this toodee platform. I’m going back, connecting the dots… reviewing what I’ve done but the emphasis is on the now. 

I’m driven by my photography.

My family, my life within takes precedence, but my creative, by design is I make adventure in my capacity. I fuck up sometimes and that’s where I live, in some times. I have these ideas, how am I going to do it and I just stick my foot out and push off. That’s how I’ve done a thousand carves on my skateboard and hundreds of flights in my gliders and how I make my photojournalist aspirations. No, no no no not for media money influences power working for the machine, photojournalism of my mind.

I dream up and write, photograph, put together, post and do it again.

This makes me happy, I do it for myself and if you enjoy it, great, if not, go do your thing because I’m doing mine here, now.

Film cameras struggle with the darkness in my hands, they need an accessory, much like I do to navigate, to get things done. How do I do that? I want something that makes sense to me. My cameras are old (like me) so I decide where I want to start looking back but those pictures are all looking forward back then. Not many photographers got covered by other photographers. Usually they were loners, in getting the job done, the exclusive. Sure there are those White House press conferences where you caught glimpses of the mass of them, no, not much in the way of descriptions so I go to the period correct product catalogs of my camera, choosing what it is, honest pairings of flash and bracket mounted flashes. Researching down the rabbit hole, searching and finding and purchasing and cleaning and assembling and experimenting and now I’m ready.

“You can’t bring that camera in here.”

Dude, everyone has a camera, think about that.

“No, they don’t have one like that.”

He bent his head to the side reaching up to the microphone on his collar, I was being watched.

Mines just old, way older than you, it’s just big before all those smartphones, I can’t even post what pictures I take. It will be weeks before I generate anything from using it.”

“Oh, do you have the white wrist band?”

I tuck the F3/MD-4/SB-11 under my L forearm and pull up my R sleeve.

“Wrong color, are you with the press? Let me see your credentials.”

The door opens and the next tier of scrutiny comes out, “…can’t come in here with a camera like that.”

Definitely not cool, I was listening to the music that came out of the door before you were born. Taking photographs with cameras like this back then too.

”Ok, no problem.”

“Do you have press credentials? Do you want them from us?”

Yeah, that would be cool.

He goes back inside.

I didn’t even want to tell him I’m a blogger. I hate that word. I hate it when people make fun of people who, “He has a web site.” I’m not that person. I can’t help it if I’ve been making web sites since before it was stupid. It’s just what I do to have fun after I have fun.

Fuck you I thought, while I was polite to him.

Mister earpiece says, “You can’t bring the camera in, you are welcome, but you can’t bring it in.”

Ughh.

I don’t have any credentials except my age and knowledge. I don’t care about credentials and if I had any, it’s the date of my birth on my drivers license. It’s the color of my hair, the sun beat skin, the fact that I’m probably going to be the oldest person in your fucking nightclub trying to hang on to the little piece of me that’s just like you.

“Go put your camera in your car and come back.”

Thanks, no problem, I turn and I’m gone.

I was there for the music, I had been in there before listening to the DJ stir up all these memories. This dude has the same eclectic backlog of music he chooses from. Same same, mighty cool, all over the place but the beats often retreating to old Jamaican dance hall music mixed with old English industrial punched up with regular hits from his electronics.

I wanted a drink. 

 


I wanted to listen to the music and give him the little thumb drive with a big whack of vinyl recording, anyone that enjoys this type of music would be astonished at the focused collection. I didn’t want anything in return, I just wanted to say thanks for choosing periods of sound that I enjoy. It wasn’t supposed to happen…

I turned around and left. 

I don’t want to do what I don’t want to do. Everyone has an iPhone. Even I do too but I don’t want to use it to create this evening. I will use it to serve me but not that way.

My wife is a beautiful person but she is normal. She watches football, likes a couple of beers, loves family, is a caregiver for old people dying, a hospice nurse. We are an opposite couple. Married plus twenty years.

“Adam, you are a gawker as far as the management is concerned, you aren’t like everyone else in there.”

Gottdamit, she’s right, I’m not a gawker, but I am. I am the same but I’m different and not because I want to be. My life flows smoothly but it takes its own course and I am ok with that. I would tell you who I am but I already did. 

She knows I’m not gawking, they don’t. 

I want to listen to music, have a drink, record some images, write, do it again.

This is what I do.

Am I done?

Hell no. But I’m done trying to get into this bar with a film camera. If they knew they would know. No attitude, no hate, no nothing. It just doesn’t work for me. The clubs where my son plays have zero problems with my cameras. I’m welcome, my big press camera is welcome, my presence is welcome.

I had literally driven here from a club just down the road, a two minute drive. There, at the door, they put a wrist band on me, “How much is the door fee?” Photographers are free, go ahead, they are setting up on the patio.

“No, I want to support the bands, please let me pay.”

I gave the gal working the door my money.

“Thank you, have a great evening.”


I did.

Entrance, daytime, in an alley.


Monday, July 21, 2025

Nikon Motor Drive (winder) Musings


Boat anchor, that’s what a photographer friend of mine called the MD-4, the motor drive for the F3. I must admit, it’s heavy but I dig the grip, its ergonomic and film/processing being expensive, it just eats a roll of film fast. I definitely have to slow down, consciously think, “this is film” when the motor drive is attached and “I’m switching to analog” from my D780.

But I’ve always loved that sound of the shutter firing and motor driven film assist. It’s the sound of action and capture.

From a post here.
I attached the MD-4 and turned the mode selector (lock ring) to “C” and held down the trigger button, the motor drive firing, the shutter sounding like that Duran Duran song, “ Girls on Film” Let me go find that on YouTube.

I have the winder (motor drive) MD-E for my FG. It is not about the grip. I use it because it is light and does not seem to ad much to the mass of the camera. It stays on and it’s an every day carry.

Purposely, I did not outfit the FE2 with a drive. I didn’t want to deal with the heft. I use a Lowepro Toploader camera holster. It’s a single stripped down camera bag that’s only large enough for the camera and a lens. It has a strap so you carry it like a camera yet you take the camera out of the bag, no strap necessary. I’m learning that I really don’t like a strap on my camera and it’s nice when you are carrying to have some protection from rain and whacks as you hike or walk in tight spaces.

I have two of these holster style bags and after handling an FE2 with the MD-12 for a few mins at the local film camera store, I decided I liked the grip much more than a boat anchor so I found and sourced one and purchased it.

I’m pulling up anchor! I think I’ll get used to slowing down and use the Toploader bag. Even with the silky smooth film advance of the F3, the motor drive ~ grip ergonomic and the holster style carry that the Toploader offers, the grip of a motor drive is far more attractive to the ergo of my shooting than the light and free-from-the-weight and volume of the winder.








Monday, June 30, 2025

Nikon F3

My 30+ year old F3 with the MD-4 motor drive
Nikon F3
s/n 1801954 
(P9026297 - made January or February 1994)

MD-4
s/n 431016

I started taking pictures in high school. My father had gifted me a Canon TX, a manual 35mm camera and I believe it had a 50mm lens. I learned about shutter speeds, aperture and ASA/ISO. I used that camera to take pictures of my skateboarding friends, and it was so basic that I could set the exposure and focus, hand it to non-photography friends and they would take pictures of me too! My second camera was a Canon point and shoot that I used while in the Army. It was light weight, durable and took pretty good pictures. I hung it off my hang glider with a long bulb release and would take selfies of me soaring.

Once I was out of the Army, I made friends with photographers and almost all of them used Nikon 35mm cameras and Nikkor lenses. Their photographs where phenomenal and my photos were ok as I used a Pentax point and shoot camera at that time.

Recently I had about a hundred slides scanned, pictures that an old friend took for a web site we were making. All those old images were shot with the Nikon F3. They were so good! It just blew me away even compared to today’s digital photography. A metal box of 25-year-old negatives sitting in an outdoor storage room, decades of summers in a plastic bin with 120-degree temps and the negatives survived and the scans looked great.

I started talking with photographer friends (Chris and Brooks) you know who you are, and both said get the F3 or a FE2. I bought the FE2, ran a couple of rolls through it, got it CLA and ended up getting the aperture ring on the body repaired and now it takes excellent photographs as it should. 

I bought an F3 from a Japanese seller on eBay, and it arrived dead in the box. I approached locals with F3s, but they were just so dirty, and the LCD was fading, probably from being stored outside in the AZ heat. I finally found my copy from an honest gentleman and cleaned it up, took it to Tempe Camera to get checked out and now I have several rolls through it, and it is absolutely my favorite camera. 

Recently, I sent it to International Camera Technicians (Jim) to have the LCD light (red button) repaired. I want to take some night photos, and the light is too dim and the button too hard to push. I got my F3 back and here it is and right now, it’s clean, the LCD is brighter and the light works as it should. Since then, I’ve been dragging my Lowepro bag around with the F3 and my lenses through the North American Southwest taking pictures of petroglyphs and landscapes. In a couple of weeks, I’ll take it to the beach in Southern California and shoot seascapes there.

Below are a few photographs from my F3.


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